Ninety days ago, we started Tweeting a how-to video each day, to showcase the near-infinite amount of knowledge that exists on YouTube. From high to low, life-saving to life-enhancing, there's likely to be a video about it on YouTube (see the list of tweets so far below).
Starting today, we'll count down 10 of the most popular how-to videos of all time. Follow us on Twitter to find out what they are or just to remember some true classics. Hint: one of them employs an onion in a very unusual way.
In addition, we're looking for users with specific areas of expertise -- for example, you make excellent cooking videos or you've fashioned yourself to be the "Dear Abby" of the YouTube generation -- to make tutorial videos, co-host Webinars, and/or guest blog in our Creator's Corner, a hub for new uploaders. Leave a comment with your channel name below if you're interested in participating.
Creating captions for your videos on YouTube becomes much easier today, thanks to automatic speech recognition (ASR) technology.
Auto-Timing: Upload a transcript (a simple file with the text of what's said in the video), and through speech recognition technology we'll turn it into synchronized captions. Timing is the toughest part of creating captions, but now this should be much easier. The technology works best for videos with good sound quality and clear spoken English.
Auto-Captions: We use the same speech recognition technology to create machine-generated captions (which can then be translated into 51 languages). You can see auto-caps in action right now on a range of educational channels, such as UC Berkeley, Stanford, MIT, Yale, UCLA, Duke, UCTV, Columbia, PBS, National Geographic, Demand Media, UNSW and most Google channels, including YouTube's. Click on the menu button at the bottom right of the video player, then click CC and the arrow to its left, then click the new "Transcribe Audio" button. In time, we hope to expand this feature for many more YouTube videos.
Auto-caps is a continued step towards YouTube's goal of making video accessible everywhere (web, mobile, TV) and to everyone (other countries, languages, alternative access modes). It's also an example of using technology to enhance the video experience. For more details, please check this post on the Google Blog.
To learn more about how to use auto-caps and auto-timing, check out our help center article and this short video:
YouTube and Kodak have teamed up to launch For Mom, a robust resource for anyone raising children today. The videos housed on this channel cover everything from cooking and parenting tips, to the best toys and games for kids, to easy ways to maintain your own health and beauty routine. There are even responses to some of life’s most difficult questions, like how much to pay the tooth fairy:
Browse through For Mom (and come back often!) for more videos from YouTube partners who know a thing or two about parenting, including Better, Parents TV, Lifetime and popular mommy bloggers who expertly find humor in what's often called the hardest job on earth.
Anthropology professor Michael Wesch has the awesome job of studying YouTube and thinking about what it all means. We asked him to curate a playlist of his favorite videos, and he came back with an impressive list of clips that exemplify how the "wonderfully playful participatory culture" you've created manifests itself on YouTube. Four of those videos are on our homepage today, but he also wrote this thoughtful blog post to accompany his picks. Reading it, you'll get a sense of how a single video or person can create a ripple that swells into something so much bigger than ourselves.
What I love about online video is the way that it has allowed more people to join a global conversation. Television was a medium whose content was controlled by the few and made for the masses. It created a one-way conversation, and you had to be on TV to get your turn. We have all been excluded from that conversation for so long, it is no wonder that so many people are now jumping in (over 1 million videos uploaded online every day by my count).
One of my first favorites was Gary Brolsma's "Numa Numa dance," which he posted on Newgrounds.com in late 2004. When YouTube came along a few months later and made it so much easier for people to upload videos, thousands of people joined the dance. A search for "Numa Numa" now brings up over 125,000 videos, most of which are people doing their own rendition of the now-famous dance. And it is still going. [Recently], Brolsma led the Michigan State Band (and the whole stadium) doing the "Numa Numa."
There is a wonderfully playful participatory culture popping up all over the online video landscape.
A few days ago, I was having lunch with a guy who told me that he and his kids (ages 2 and 6) were working on their own rendition of blinktwice4y's YouTube hit "Mario Kart Love Song". When they are done, they will join hundreds of others who have also created their own rendition. And if you love participatory culture as much as I do, you might just find the more obscure ones to be the most entertaining (like matrock records jamming it out Brady Bunch style) and sometimes heartwarming (don't you just love these kids playing it live? Or how 'bout these young kids acting out the video? You just know they will be watching this with the tears rolling and hearts warming in 30 years. Or even this wedding serenade).
Or remember how OK Go made their career with that amazing treadmill dance? But what could be cooler than doing it live at your high school in front of all your friends? Of course, Granbury High was not the only remake. There are hundreds, yes, hundreds of groups of high school kids who somehow wrangled together several working treadmills, rolled them into high school auditoriums all over the world, and did their thing.
Undoubtedly, some people performing on YouTube are hoping to be the next Esmee Denters. It wasn't so long ago that Esmee was just a young girl singing (beautifully) in front of a crappy webcam -- until one day she was singing a Justin Timberlake song in front of a slightly better camera, which slowly panned right to reveal that none other than Justin Timberlake himself was in the room, and that he had just signed her to a record deal.
There's still a lot of unsigned talent out there, like Megan Tonjes or mandyvbats, who was brought to my attention by the absolutely amazing work of Kutiman, a musician who brought together snippets of YouTube artists from all over the world, working in so many genres, to create such beautiful music (which to me is the real YouTube orchestra).
But my favorite online video moments are those where the participatory culture spills out into the real world. There is probably no better example than the Free Hugs movement. Now three years old, it is still going, and it's global. But of course it wouldn't be participatory culture without the clever parody, which Greg Benson of mediocrefilms performed brilliantly by offering his "Deluxe Hugs" for $2.
The tools for such clever commentary and remixing are always growing, and several of my new favorites are coming from the creative uses of Auto-Tune. The Gregory Brothers have really mastered this with their Autotune the News series. Melodysheep is now bringing his amazing talents to set the beautiful insights of the best scientists of recent years (like Carl Sagan) to some moving music.
So much of this creativity relies on the freedom to remix and build on the material created by others, a freedom that's constantly being challenged. Which brings me to one of my more serious recommendations: Brett Gaylor's RIP: A Remix Manifesto. Or for a wonderfully artistic statement within the same theme, one of the most amazing videos on all of YouTube is Us by Blimvisible.
My favorite video of all time still remains MadV's "The Message." It comes from the early days of YouTube, when so many of us were still just amazed that we could reach out to millions of people through our webcams. MadV invited us to write a message for the world on our hands. The resulting compilation may just become one of those iconic videos that our descendants hundreds of years might look back on and say, "So this is what they had to say when they first wired up all those computers and cameras throughout the world..." He's now doing an HD version if you want to join in.
If you are interested in how we try to make sense of all of this in anthropological terms, check out "An Anthropological Introduction to YouTube," where my students and I discuss many of these videos and a whole bunch more:
Michael Wesch, Assistant Professor of Cultural Anthropology, Kansas State University
Every day, people with video cameras are changing the ways we get our news. We see it during elections. We see it during earthquakes, fires and other natural disasters. We see it on our freeways, in our schools and in our public spaces. Almost any event that takes place today has a chance of being captured on camera. As YouTube has become a global platform for sharing the news, media organizations have been looking for a good way to connect directly with citizen reporters on our site so they can broadcast this footage and bring it to a larger audience.
That's why we created YouTube Direct, a new tool that allows media organizations to request, review and rebroadcast YouTube clips directly from YouTube users. Built from our APIs, this open source application lets media organizations enable customized versions of YouTube's upload platform on their own websites. Users can upload videos directly into this application, which also enables the hosting organization to easily review video submissions and select the best ones to broadcast on-air and on their websites. As always, these videos also live on YouTube, so users can reach their own audience while also getting broader exposure and editorial validation for the videos they create.
Though we built YouTube Direct to help news organizations expand their coverage and connect directly with their audiences, the application is designed to meet any organization's goal of leveraging video content submitted by the community. Businesses can use YouTube Direct to solicit promotional videos, nonprofits can use the application to call-out for support videos around social campaigns and politicians can use the platform to ask for user-generated political commercials. The opportunities to use the tool are as broad as the media spectrum itself.
featuring C-rayzwalz, Quest, k-Swift, and PH beastmode / PumpkinHead I’ll be taking part in EOW’s MC challange. Its a dope ass event where I’ll be compeating in 5 rounds of MC skills challanges. I went to the last one as a spectator and it was ser...
I'm not sure if a boutique is really my kind of spot. I'd probably need some more info like 1 where is it. Thanks for the look but my name isn't Mo Niklz for no reason. I did a fashion show once for a friend of mine and man was that awkward.
As far as Hip-hop goes, basically I've been hooked on it since about 4th grade, way before anyone else in my area, at least people I know. The first CD I ever bought was Naughty by Nature(keep in mind I was like 8, literally), my older neighbor had to buy it cause I was too young. Then I moved on to Tupac, Ice Cube, Dr.Dre, BIG, and Cypress Hill in Middle school. I only knew about half the stuff they were talking about but I knew that it was some raw shit and the fact no one else was saying what they were grabbed me. I started writing-I DON'T RAP-but for some reason I keep writing raps, release therapy I guess. I've been asked why I don't rap-basically cause I'm just not a rapper. Vague enough? On the real I have to much respect for dope emcees to ever throw a hip-hop label on anything I do. I don't think I'm worthy, plus I like to play the background and just watching my work play out.
Where I'm at now--Damn, I knew I had to do something with hip-hop in order to be happy in life. So I started a little promotion company/management for now, I'd like to expand it eventually. It seemed like a far fetched dream, but hey, we all have em. Never thought I'd find an emcee dope enough to stake my name on, at least not unsigned. Then...damn! I heard Quest and then the rest of AFA and I knew there was work to be done. So basically I wanna bring light to music with substance.
We got 4 tracks in the bag at Tom Tom Studio Studio in CT today. Mike ran through and murdered every beat, one w/ a Big Daddy Kane sample, some real old school soulful samples, o and one jazzy futuristic joint. Bangin out four more big joints tomorrow, some hooks to cut up and more mixing but the project is coming along beautifully and sounds excellent. We got a radio show w/ Apathy tomorrow at 10pm http://www.whus.org/ listen live! Then new years eve....we might have something big. Can't say ye… Continue
So its only 12:15 but this time change has me all kinds a fucked up. I can't sleep at night as it is so what am I gonna do know. I have been home since 2 pm by myself and I'm a little stir crazy. I took a 3 hour nap then sat in a McDonalds and watched TV for an hour-FOX News, shoot me in the head. Came back, and thought I could knock out. Instead this came into my head so I got up and wrote it all down and now I'll never sleep. Don't critique to harshly, it was like a freestyle in my head. Not a… Continue
Posted on November 3, 2008 at 12:21am — 2 Comments
Hey guys. So I guess this is kind of an obscure post, I just didn't know where to put this. But I wanna share this with everyone cause I know you'll dig it. So I hope your not disappointed, no blog here, this is a link to a music video.
Its called add water by educated consumers. I'm working on putting together a show w/ them and AFA. I'd like to get some collabs going, but I don't wanna be that guy, ya know?
Without further a do http://www.youtube.com/watch?v=MeAphkFew6A… Continue
December 3, 2009 at 9pm to December 4, 2009 at 1am
Come celebrate the release of the project by The Rising Sun Quest Hydrostatic Equilibrium
Performances by:
The Rising Sun Quest
Deto 22 of Phenetiks
Cee Reed
and
D_Cyphernauts
Mo Niklz on the turntables all night!
December 3, 2009 at 9pm to December 4, 2009 at 1am
Come celebrate the release of the project by The Rising Sun Quest Hydrostatic Equilibrium
Performances by:
The Rising Sun Quest
Deto 22 of Phenetiks
Cee Reed
and
D_Cyphernauts
Mo Niklz on the turntables all night!
Our pleasure man! That shit was fun. We got mad lost on the way home, got home about 5am and I'm currently at work since 9am, but it was all worth it. Really great vibe from the crowd and the room. Even the people that weren't right up front were ...
friday night, november 20th 2009 at cousin larry's in danbury
was the epicenter of jam packed night of dopeness.
the gracious hosts, d_cyphernauts kicked off the evening for us and tore it down.
then our first out of state guests the presence cons...
friday night, november 20th 2009 at cousin larry's in danbury
was the epicenter of jam packed night of dopeness.
the gracious hosts, d_cyphernauts kicked off the evening for us and tore it down.
then our first out of state guests the presence cons...
November 20, 2009 at 9:30pm to November 21, 2009 at 2am
Enter The Cypher
as always Hosted by D_Cyphernauts
Mo Niklz on the turntables all night
Opening cypher featuring Defnyshn live on the MPC
Featured acts for November:
The AFA's own Deto 22 performing tracks from the collab project The Sharing I...
November 17
DVS What up AFA looking to do some openers for mc's in the camp that could use some new talent outside of the fam next year, let me know thks
December 3, 2009 at 9pm to December 4, 2009 at 1am
Come celebrate the release of the project by The Rising Sun Quest Hydrostatic Equilibrium
Performances by:
The Rising Sun Quest
Deto 22 of Phenetiks
Cee Reed
and
D_Cyphernauts
December 3, 2009 at 9pm to December 4, 2009 at 1am
Come celebrate the release of the project by The Rising Sun Quest Hydrostatic Equilibrium
Performances by:
The Rising Sun Quest
Deto 22 of Phenetiks
Cee Reed
and
D_Cyphernauts
November 20, 2009 at 9:30pm to November 21, 2009 at 2am
Enter The Cypher
as always Hosted by D_Cyphernauts
Mo Niklz on the turntables all night
Opening cypher featuring Defnyshn live on the MPC
Featured acts for November:
The AFA's own Deto 22 performing tracks from the collab project The Sharing Is ...